Water Puppetry in Việt Nam sees remarkable success

Việt Nam’s Thăng Long Puppetry Theater has won recognition by the India-based Asian Book of Records for “being the only theater in Asia that performs water puppetry all 365 days of the year”.

This is a great encouragement for artists performing for the Thăng Long Puppetry Theater as traditional stage art in Việt Nam is already under threat.

Sài Gòn Giải Phóng Newspaper had a talk with the theater’s director, Nguyễn Hoàng Tuấn, and asked what had brought about this remarkable success.

Theater director  Nguyễn Hoàng Tuấn

Tuấn recalled that when the old director decided to perform puppetry in the theater, he faced many difficulties at that time but tried to overcome them.

The theater leaders tried to increase the number of actors and also to raise the performance quality to satisfy audiences.

At first the theater had only 12 actors and actresses but now has 40 experienced and talented artists and a variety of traditional musical instruments.

The theater leaders made concerted efforts to improve the skills of artists and for them to perform 15 days a month for a salary of around VND20 million (US$949) per month.

Tuấn said the Thăng Long Puppetry Theater has been enjoyed by hundreds of thousands of visitors, mostly foreigners, who want to explore Vietnamese culture.

Children too enjoy the show on Sunday mornings at special discount tickets.

Leaders have scratched their heads over creative techniques to draw audiences to the theater, Tuấn said.

He expressed his thanks to the tourism sector and embassies for their support in introducing this artistic form to foreign holidaymakers who visit Việt Nam.

A puppetry shows of Thăng Long Theater 

Foreigners do not only watch the water puppetry performance but also learn more about Vietnamese culture and traditional arts.

In addition to hundreds of successful traditional performances, artists have invented new programs as well.

Puppetry performances have been adapted from nearly 400 folk tales, depicting the history of Việt Nam and people’s daily lives.

Tuấn said he is truly proud of Vietnamese folk art that is unique in style and very attractive to foreigners.

Some foreigners watch puppetry shows several times and say they do not get bored but are more intrigued and surprised at how wooden puppetry can be performed so animatedly underwater.

Through this form of entertainment they come close to understanding Vietnamese culture, costumes, customs as well as Việt Nam’s wet rice civilization and its history.


Source: Sài Gòn Giải phóng Newspaper


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